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Sculpture from the Kushan Period
Sculpture from North India, 5th-7th Centuries
Jain sculpture
Sculpture of the Pala Period
Stone Sculpture from Hindu Temples
Sculptures from South India, 8th-9th Centuries
Bronze Sculpture of the Chola Period
Art for the Mughal and Rajput Courts
Hindu Temple Hangings
Buddhist Painting from India, Nepal, and Tibet
Buddhist Painting from India, Nepal, and Tibet
Sculpture from Nepal
Sculpture from the Kushan Period
Two Bodhisattvas from Sri Lanka
Green Tara
Tibet; 14th century
Opaque watercolor with gold on cotton
H. 30 3/4 in. (78 cm); W. 25 in. (63.5 cm)
Mr. and Mrs. John D. Rockefeller 3rd Acquisitions Fund
In Sanskrit, Tara means "star" or "constellation," and thus her name emphasizes her role as a guide and saviouress on the Buddhist path to enlightenment. There are many forms of Tara (forty-six different manifestations of her appear on this painting), but the central image, Green Tara, can be identified by her posture, with her right leg pendant, and by the blue lotuses she holds, one open and one closed, in either hand. Above her left shoulder sits her other main manifestation in Tibet, White Tara, while Shakyamuni Buddha sits above her right shoulder. Green Tara is sumptuously dressed in an array of silk robes and wears pants decorated with finely drawn miniature Taras in roundels. Most of her golden jewelry and her mandorla are created in relief and would have shimmered in the light of yak-butter lamps. The patrons of this painting, a man and a woman, appear in the center of the bottom row of figures, making offerings to Green Tara. Above them sits a monk from the Sakya order of Tibetan Buddhism, possibly the person who consecrated the painting.
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