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Sculpture from the Kushan Period
Sculpture from North India, 5th-7th Centuries
Jain sculpture
Sculpture of the Pala Period
Stone Sculpture from Hindu Temples
Sculptures from South India, 8th-9th Centuries
Bronze Sculpture of the Chola Period
Art for the Mughal and Rajput Courts
Hindu Temple Hangings
Buddhist Painting from India, Nepal, and Tibet
Buddhist Painting from India, Nepal, and Tibet
Sculpture from Nepal
Sculpture from the Kushan Period
Two Bodhisattvas from Sri Lanka
Nepal; Early Malla period (1200-1382), 13th century
Gilt copper with inlays of semiprecious stones
H. 18 3/4 in. (47.6 cm)
Mr. and Mrs. John D. Rockefeller 3rd Collection of Asian Art
This Bodhisattva, seated in a relaxed posture, makes the gesture of reassurance with his right hand and the gesture of teaching with his left. Originally, all the depressions in his jewelry and crown would have been filled with multicolored stones. It is unclear exactly which bodhisattva this sculpture represents as it holds no attributes nor does it have an identifying image in its headdress. However, the antelope skin draped over the bodhisattva's left arm suggests that this sculpture represents Avalokiteshvara, the Bodhisattva of Compassion, as an antelope skin is sometimes draped over Avalokiteshvara's shoulder, as on another work in the Asia Society Collection (see Related Objects). Another clue to an identification as Avalokiteshvara is the flowered decoration coming off his left armband, which is a hollow tube. The presence of this tube suggests that the bodhisattva once held a lotus, one of Avalokiteshvara's typical attributes. The lotus would have been held in his left hand, with the stem running up the arm and through the tube, a common position for the lotus in Buddhist sculpture.
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